Saying Everything and Nothing

On the State of Debate in Digital Modernity

  • Is liberal society in the process of yanking the ground it should be standing on firmly out from under its own feet? 
  • An essay about what digital mass communication is doing to people

Nothing has changed how we live together as comprehensively as digitization – since becoming constantly connected and over-informed, we think, feel and argue differently. We are all impacted by this, no matter how much we actually use the new media. It is a stress test for society: when left unchanneled, excessive knowledge, speed, transparency and indelibility are not values in and of themselves.

This is relevant to democratic policy when it comes to the much-vaunted culture of debate. The conventions of social media have long since spread to other arenas, with politics and journalism already playing by these new, more merciless rules. Formerly recognized authorities are being dismissed by the dozens without being replaced by new ones; unceremoniously delegitimizing one’s opponent has taken the place of making a better argument. A functioning public sphere – as a marketplace of opinions and space for social clarification – only seems to exist anymore in fragments, if it still exists at all.

In her essay, Eva Menasse circles around issues that have preoccupied her for years: above all, the apparently highly contagious irrationalism and corrosive skepticism to which none of us is immune.

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  • Publisher: Kiepenheuer&Witsch
  • Release: 02.11.2023
  • ISBN: 978-3-462-00059-7
  • 192 Pages
  • Author: Eva Menasse
Saying Everything and Nothing
Eva Menasse Saying Everything and Nothing
Friedrich Bungert_SZ Photo
© Friedrich Bungert_SZ Photo
Eva Menasse

Eva Menasse , born in Vienna in 1970, started out as a journalist and made her fiction debut in 2005 with the family novel Vienna . This was followed by other novels and short stories, which have won numerous awards and been translated into multiple languages. Eva Menasse is increasingly active as an essayist, for which she received the Ludwig Börne Prize in 2019. Her last novel, Darkenbloom was a bestseller and has been translated into nine languages.